WITH AMERICAN, BRITISH, AND EUROPEAN ENSEMBLES

A Far Cry, Boston Baroque, Boston Camerata, Cantata Singers, Emmanuel Music, Floyds Row, Folger Consort, Handel & Haydn Society, Harmonious Blacksmith, Musica Sequenza, Spire Chamber Ensemble, Tempesta di Mare: Philadelphia Baroque Orchestra, TENET, Washington Bach Consort, Washington National Cathedral, Worcester Chorus, and others

Collegium Musicum Den Haag (The Netherlands), Venice Music Project (Italy), and a number of British groups––Dunedin Consort, Orchestra of the Age of Enlightenment, and Oxford Baroque

Brighton Early Music Festival (UK), Göttinger Reihe Historischer Musik (Germany), MUPA International Festival (Thailand), and several within the United States––Artscape, Aspen Music Festival-Opera Theater Center, Aston Magna Music Festival, Boston Early Music Festival, Connecticut Early Music Festival, Focus! Festival, North Shore Chamber Music Festival, Indianapolis Early Music Festival, Shandelee Music Festival, and the Washington Early Music Festival

Collaborated with several museums––Walters Art Museum (USA), National Gallery of Art (USA), Met Cloisters (USA), Art Gallery of Ontario (Canada), Rijksmuseum (The Netherlands), Museu Nacional da Música (Portugal), Chimei Museum (Taiwan), and others

Lectures, masterclasses, and/or workshops at Illinois Wesleyan University, the International Baroque Institute at Longy (Bard College), The Juilliard School, UMass Amherst, the Universities of Oxford, Cambridge, Edinburgh, Royal Musical Association (UK), the Narnia Arts Academy (Italy), Institutum Romanum Finlandiae (Italy), Taipei National University of the Arts (Taiwan), Burapha University (Thailand), Auftdart Academy of Music & Performing Arts (Vietnam), and the Vibe Academy of Music & Cinema (Vietnam)

Visiting Fellow at Harvard University’s Center for Middle Eastern Studies (2019-2020)